I've just returned from Denver and the World Science Fiction Convention (worldcon) where I spoke on issues such as privacy, DRM and creating new intelligent beings. However, I also attended a session on "hard" science fiction, and have some thoughts to relate from it.
Defining the sub-genres of SF, or any form of literature, is a constant topic for debate. No matter where you draw the lines, authors will work to bend them as well. Many people just give up and say "Science Fiction is what I point at when I say Science Fiction."
In 2005, John Scalzi burst on the scene with a remarkable first novel, Old Man's War. It got nominated for a Hugo and won him the Campbell award for best new writer. Many felt it was the sort of novel Heinlein might be writing today. That might be too high a praise, but it's close. The third book in this trilogy has just come out, so it was time to review the set.
It's hard to review the book without some spoilers, and impossible for me to review the latter two books without spoiling the first, but I'll warn you when that's going to happen.
OMW tells the story of John Perry, a 75 year old man living on an Earth only a bit more advanced than our own, but it's hundreds of years in the future. Earth people know they're part of a collection of human colonies which does battle with nasty aliens, but they are kept in the dark about the realities. People in the third world are offered o ne way trips to join colonies. People in the 1st world can, when they turn 75, sign up for the colonial military, again a one-way trip. It's not a hard choice to make since everybody presumes the military will make them young again, and the alternative is ordinary death by old age.
The protagonist and his wife sign up, but she dies before the enlistment date, so he goes on his own. The first half of the book depicts his learning the reality of the colonial union, and boot camp, and the latter half outlines his experiences fighting against various nasty aliens.
As some will know, I got heavily into the Hugo awards 13 years ago during my efforts at becoming an eBook publisher in the SF field. The Hugo award is voted on by the fans who attend the annual World Science Fiction Convention, or Worldcon, a moderately small voting pool (under 1000 of the typical 4000 to 7000 attendees will vote.)
The most important award and 2nd most voted on is the one for best Novel. The least important, but most voted on award is the one for best movie.
But still, for a long time, though both SF and Fantasy qualified for the award, the best Novel went exclusively to Science Fiction (with one dab into alternate history by Phillip K. Dick) and usually to hard, ideas-based SF. This went on until 2000 when the superb hard-SF novel "A Deepness in the Sky" won. The drama award was also heavily into SF, though it had some deviations, such as the coverage of Apollo XI and a few films in the 80s.
But in 2001, for the first time, a Fantasy novel won the best novel Hugo. Not just any fantasy novel, but a children's novel, Harry Potter 4. Of course, the Harry Potter series is the most remarkable success not just in fantasy, but in publishing, so this is not too shocking. What's surprising is that in 2002, 2004 and 2005 a fantasy novel would win best novel. At the same time, fantasies won all the best movie awards and all of the new best TV episode award until 2005. (Read on...)
I'll be speaking at three conferences in the near future, and can offer discounts to blog readers for two of them.
Coming up October 19, I will be speaking on the future of SIP, and whether IAX2 or Skype might kill it, at the Pulver Voice on the Net conference in Boston.
Nanotech and Privacy
At the Oscars last night (which were pretty boring, with one nice joke featuring Billy Crystal camcordering a new movie) Peter Jackson thanked the Studios for having the courage to back a big fantasy epic like the Lord of the Rings.
But a look at IMDB's list of all-time movie revenues reveals something else. Of the top 25 grossing movies of all time, how many were science fiction and fantasy?